2nd place: “Closed,” mixed painting with collage, by Clare Murray Adams (Southington, OH)
3rd place: “Distancing,” clay found object, by Gail Trunick (Burghill, OH)
Merit Award Winner: “The Anniversary,” archival pigment print by Michael Tkach (Erie, PA)
Merit Award Winner: “Rainy Night,” acrylic, by Mark Baker (Butler, PA)
Merit Award Winner: “Popsicles,” ceramic, by Kayla Weinman (Burbank, OH)
Merit Award Winner: “Platform Between Realms,” oil and cold wax by Susan Snipes (Lakewood, OH)
Merit Award Winner: “Abandoned,” photo, by Linda Roos (Springdale, PA)
Merit Award Winner: “Once in a Blue Moon,” acrylic, by Ray Maholz (Erie, PA)
“Disrupted IV,” photo, by Christianna Kriess
“Ironworkers 3,” by Dale Lazar
“Let it Rain Dear,” acrylic, by Ray Maholtz
“Banjo Man,” oil, by Rabecca Signoriello
“Primary,” mixed media collage, by Harold Maiella
“Rose Bud,” mixed, by Susan Copley
“White Cloud Vase,” raku, by Paul Jay
“Cryptic Habitat Potential,” acrylic on 2 panels, by Mark Barill
“Veil,” cyanotype, by Andrew Julo
“Roadblock,” acrylic, by Ellen Chisdes Neuberg
“Me, Myself and I” oil, by Rachel Griffin
“Easel,” oil and cold wax, by Clare Murray Adams
“Tough River Near Dunbar,” acrylic, by Mark Baker
“Autumn Creek II,” dig photo, by Peter Schlicht
“Wounded,” tin roofing, tar & thread, by Julie Cocoran
“Disrupted VII,” photo by Christianna Kriess
“Steampunk Zoom,” digital art, by John Schurman
“Still Life with Vase,” mixed media with collage, by Clare Murray Adams
“The Bath,” pigment print, by Michael Tkach
“Made of Steel Made of Stone,” mixed media, by Peter Cehily
“Exhaust,” tin roofing, tar & thread, by Julie Cocoran
“Amiri Baraka,” mixed media, by Elizabeth Asche Douglas
“A Door to the Past,” photo, by Diane Beatty
“Abused But Not Defeated,” concrete mixed media by Kenn Hetzel
“Golden Moments,” photo, by Elise McKeown Sklolnick
“Ball,” ceramic, by Sandra Moore
“Skylight Windows,” oil, by Paula Siebieda
“Girl at Column,” by Dale Lazar
“You Are My Sunshine,” photo, by Elise McKeown Sklolnick
“Legacy,” acrylic, by Luke Gehring
“My Lit Up Forest,” acrylic and marker, by Ginny O’Brien
“Andy’s Art School,” acrylic, by Mark Baker
“Slow Moving Water,” acrylic, by Benjamin Thomas
“Water Buffalo Urn,” porcelain, by Christian Kuharik
“Sounds of the Celebration,” mixed media by Michael Stephens
“What Ebbs Out Flows In,” gouache colored pencil, by Deanna Mance
“The Forgotten,” pastel, by Wally Kaplan
“Joshua Tree,” photo, by Brain Sesack
“Rio rojo,” enamel on canvas, by David Hanna
“Storm Temple,” oil, by Dorit Brauer
“Dance of the Green Rose, oil, 40×40, Dorit Brauer
“Abstract Vessel,” copper, by Jan Loney
“Ironworkers 1,” by Dale Lazar
“Point in Time and Above the Fray,” acrylic, by Pamela Alexander
“Tangle 1,” steel, by Jason Boone
“Hourglass,” copper, by Jan Loney
“Virgin Territory,” mixed, by Susan Copley
“Ironworkers 2,” by Dale Lazar
“Exiting the Scaife,” acrylic, by Joseph Ryznar
“Traces,” acrylic, by Doreen Grasso
“Nastro Barocco,” cyanotype, by Andrew Julo
“The Moon and Skull Rock,” photo, by Brian Sesack
“The Hall,” watercolor, by Daniel Rauschenbach
Juror’s Statement
“Over the years of my curatorial career, I’ve juried a range of contemporary art exhibitions, engaged in portfolio reviews, and reviewed art grants applications for the National endowment for the Arts as well as for state arts councils. Always, what was important was to carefully examine the artwork being presented and to seek out individual pieces that transcended convention. There were so many deserving pieces among the 500+ submissions that I had to examine however choosing 63 works of art was a difficult task. Undeniably every juror uses his or her own criteria when judging. Even though objectivity is the ideal, selections come down to personal judgment, however for me in trying to identify quality in individual works, I reflected how the final choices would function together as a cohesive exhibition. I looked for an assortment of media, style, subject, and content.
The process of selecting a diverse range of pieces for the exhibition resulted in my working through three phases. In Phase One, I first went through all of the submissions trying to gain an overview of what was being presented. In Phase Two, I began selecting works and in Phase Three and I critically asked myself am I finding a balance of styles from figuration to abstraction as well as 2-D and 3-work. What was of utmost importance was finding works with unique creativity, free of imitation or being mere illustration. Inventiveness and original thinking were significant in making selections. Throughout this process I sought to create a balance in materials, media, and process. Although some pieces that were not chosen demonstrated high levels of craftsmanship and technique yet did not push concept beyond the surface of representation or the obvious. This said, I hope the artists not selected will not be discouraged—Life is a learning process and we need to go forward and build on what we’ve done. I am aware that being an artist is a difficult job and art is an evolution – I wish you the very best.”
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