2nd place: “Closed,” mixed painting with collage, by Clare Murray Adams (Southington, OH)
3rd place: “Distancing,” clay found object, by Gail Trunick (Burghill, OH)
Merit Award Winner: “The Anniversary,” archival pigment print by Michael Tkach (Erie, PA)
Merit Award Winner: “Rainy Night,” acrylic, by Mark Baker (Butler, PA)
Merit Award Winner: “Popsicles,” ceramic, by Kayla Weinman (Burbank, OH)
Merit Award Winner: “Platform Between Realms,” oil and cold wax by Susan Snipes (Lakewood, OH)
Merit Award Winner: “Abandoned,” photo, by Linda Roos (Springdale, PA)
Merit Award Winner: “Once in a Blue Moon,” acrylic, by Ray Maholz (Erie, PA)
“Sounds of the Celebration,” mixed media by Michael Stephens
“Let it Rain Dear,” acrylic, by Ray Maholtz
“Steampunk Zoom,” digital art, by John Schurman
“Tough River Near Dunbar,” acrylic, by Mark Baker
“Exhaust,” tin roofing, tar & thread, by Julie Cocoran
“Storm Temple,” oil, by Dorit Brauer
“Veil,” cyanotype, by Andrew Julo
“Skylight Windows,” oil, by Paula Siebieda
“Exiting the Scaife,” acrylic, by Joseph Ryznar
“Me, Myself and I” oil, by Rachel Griffin
“My Lit Up Forest,” acrylic and marker, by Ginny O’Brien
“Roadblock,” acrylic, by Ellen Chisdes Neuberg
“What Ebbs Out Flows In,” gouache colored pencil, by Deanna Mance
“Wounded,” tin roofing, tar & thread, by Julie Cocoran
“Easel,” oil and cold wax, by Clare Murray Adams
“You Are My Sunshine,” photo, by Elise McKeown Sklolnick
“A Door to the Past,” photo, by Diane Beatty
“Disrupted VII,” photo by Christianna Kriess
“Golden Moments,” photo, by Elise McKeown Sklolnick
“White Cloud Vase,” raku, by Paul Jay
“Ball,” ceramic, by Sandra Moore
“Primary,” mixed media collage, by Harold Maiella
“Ironworkers 2,” by Dale Lazar
“Water Buffalo Urn,” porcelain, by Christian Kuharik
“The Moon and Skull Rock,” photo, by Brian Sesack
“Ironworkers 1,” by Dale Lazar
“Abused But Not Defeated,” concrete mixed media by Kenn Hetzel
“Abstract Vessel,” copper, by Jan Loney
“Legacy,” acrylic, by Luke Gehring
“Autumn Creek II,” dig photo, by Peter Schlicht
“The Hall,” watercolor, by Daniel Rauschenbach
“Rose Bud,” mixed, by Susan Copley
“Rio rojo,” enamel on canvas, by David Hanna
“Nastro Barocco,” cyanotype, by Andrew Julo
“Hourglass,” copper, by Jan Loney
“Banjo Man,” oil, by Rabecca Signoriello
“Dance of the Green Rose, oil, 40×40, Dorit Brauer
“Disrupted IV,” photo, by Christianna Kriess
“Slow Moving Water,” acrylic, by Benjamin Thomas
“Andy’s Art School,” acrylic, by Mark Baker
“Ironworkers 3,” by Dale Lazar
“Made of Steel Made of Stone,” mixed media, by Peter Cehily
“The Bath,” pigment print, by Michael Tkach
“Virgin Territory,” mixed, by Susan Copley
“The Forgotten,” pastel, by Wally Kaplan
“Girl at Column,” by Dale Lazar
“Tangle 1,” steel, by Jason Boone
“Cryptic Habitat Potential,” acrylic on 2 panels, by Mark Barill
“Traces,” acrylic, by Doreen Grasso
“Amiri Baraka,” mixed media, by Elizabeth Asche Douglas
“Point in Time and Above the Fray,” acrylic, by Pamela Alexander
“Still Life with Vase,” mixed media with collage, by Clare Murray Adams
“Joshua Tree,” photo, by Brain Sesack
Juror’s Statement
“Over the years of my curatorial career, I’ve juried a range of contemporary art exhibitions, engaged in portfolio reviews, and reviewed art grants applications for the National endowment for the Arts as well as for state arts councils. Always, what was important was to carefully examine the artwork being presented and to seek out individual pieces that transcended convention. There were so many deserving pieces among the 500+ submissions that I had to examine however choosing 63 works of art was a difficult task. Undeniably every juror uses his or her own criteria when judging. Even though objectivity is the ideal, selections come down to personal judgment, however for me in trying to identify quality in individual works, I reflected how the final choices would function together as a cohesive exhibition. I looked for an assortment of media, style, subject, and content.
The process of selecting a diverse range of pieces for the exhibition resulted in my working through three phases. In Phase One, I first went through all of the submissions trying to gain an overview of what was being presented. In Phase Two, I began selecting works and in Phase Three and I critically asked myself am I finding a balance of styles from figuration to abstraction as well as 2-D and 3-work. What was of utmost importance was finding works with unique creativity, free of imitation or being mere illustration. Inventiveness and original thinking were significant in making selections. Throughout this process I sought to create a balance in materials, media, and process. Although some pieces that were not chosen demonstrated high levels of craftsmanship and technique yet did not push concept beyond the surface of representation or the obvious. This said, I hope the artists not selected will not be discouraged—Life is a learning process and we need to go forward and build on what we’ve done. I am aware that being an artist is a difficult job and art is an evolution – I wish you the very best.”
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